 | Olá! | Aug 10, 2007 |
O meu multiply foi feito para a dança, com o objetivo de divulgar esta arte, assim como o meu trabalho e o da nossa academia Studio Camilla D'Amato! Beijão a todos... 
|  | Parabéns a todas! |
Direto surgem comentários sobre o "pau" que as amadoras costumam Dar nas profissionais em concursos e shows por aí. Não resisti e precisei Dar Meu pitaco... Quem disse que você é profissional?
Num adianta falar em pré-seleção DA KK ou D.R.T., a bailarina faz uns dois ou três aninhos de aulas (1 ou 2 vezes por semana), começa a Dar aulinhas, fazer showzinhos e puxa, já é profissa! O ato de se auto-intitular profissional é o meio mais comum de se tornar uma. O ego é tão Grande que a pessoa não consegue se avaliar com imparcialidade e acha mesmo que dança o suficiente. As que sabem que não têm qualidade nem ligam, por que o mais importante é dizer que é. A falsa fama, OS falsos louros são ilusões confortáveis e temos dois pontos que ajudam e proliferar a falta de noção:
1. O meio incentiva a falta de profissionalismo: É fato, a maioria dos músicos, bandas, escolas de dança, produtores de eventos do meio e formadores de opinião, visam apenas o lucro e a auto-promoção. Não se preocupam em manter um alto padrão de qualidade entre as bailarinas e qualquer uma acaba se achando capaz de ser profissional. Dá trabalho ser exigente e trabalhar com pessoas exigentes. Afinal de contas como alguns contratantes não pensam em nada que ultrapasse seus umbigos, preferem ficar pagando cachêzinhos e salários horrendos para bailarinas ruins do que 'aguentar' as exigências das profissionais qualificadas. Consequência, o nicho será seeempre nicho. 2. Nossos sistemas de avaliação não têm credibilidade: Esse segundo tópico é pura consequência do primeiro. Nossos concursos não têm credibilidade pois a deficiência nas avaliações e a desorganização comprometem OS resultados, OS 'selos de qualidade' você pode comprar facinho facinho, nosso D.R.T. é aquela vergonha e as escolam mais populares (não disse melhores) contratam alunas para darem aulas sem nenhuma estrutura ou maturidade. Consequência disso?
Vamos em eventos e nos deparamos com a medonha realidade que é a dança profissional brasileira. Professoras despreparadas 'formam' bailarinas que não passam de cascas vazias e não sabem orientar suas alunas sedentas pela profissionalização. Falta de critéééééérios, é esse nosso problema! Essas 'profissionais' NÃO estão preocupadas com qualidade e não têm noção do que é ser BAILARINA PROFISSIONAL. Meeeu, ser bailarina é ralar muito, suar muito, pegar no pesado, estudar mesmo. Sentir dor, criar calos, cuidar do corpo e DA mente... 2 ou 3 aulinhas por semana não dá merito à ninguém e é bem menos do que a sua obrigação. TEEM que treinar TOOODO dia, fazer aulas de outras danças que te dêem a base técnica que a dança do ventre ainda não tem. TEEM que ler muito de dança, antropologia, sociologia, anatomia, fisiologia, filosofia, arte, história, música, psicologia, educação e uma série de outras coisas que ajudam você a perceber a importância do seu papel no mundo. TEEM que gastar dinheiro com aulas sim, tem que investir no seu conhecimento, Dane-se se você ganha pouco, é a sua obrigação já que você se diz profissional. Que p$#@% é essa de achar que dançar é fácil?
Outra coisa que me irrita são OS 'Cursos Profissionalizantes' de uma vez por mês, que eu TB ministro e que o povo participa só pra dizer que faz aula com a fulana. O resto do mês num faz nada, ou acha que faz. Agora me digam, vocês acham mesmo que vão evoluir fazendo um dia inteiro de aula uma vez por mês???? Isso é pre-GUI-ça. Esse tipo de curso é apenas um aperfeiçoamento, um detalhe no seu aprendizado, nada mais. O que vai fazer VC evoluir mesmo é o treino diário, sem moleza. Acha que eu estou pedindo demais? Então fique aí na mediocridade pra sempre.
For a DA realidade...
A minha eterna insistência em fazer com que a bailarina de Dança do Ventre estude outras coisas, é, entre outros motivos, para que ela conheça a verdadeira realidade do que é o mundo DA dança profissional. Como alguém sabiamente comentou neste Blog, ‘a Dança do Ventre deixa a gente mal acostumada...’ Isso é a mais pura verdade! A gente não faz idéia do que é ralar pra caraaaaaaalho pra dançar direito. Entrar na sala e Dar o seu máximo e lutar todos OS dias com todas as suas armas pra conseguir um bom resultado.
Quem nunca viu uma profissional que não alcança o próprio pé e acha que bailarina de Dança do Ventre não precisa ter um bom alongamento? Certa vez quase morri quando ouvi outra profissional dizer: “Ai Luana, por mim eu faria aulas com você, sou mil vezes a sua aula do que a aula DA Fulana, mas eu preciso fazer aulas com ela por que fico sabendo mais do que está acontecendo no meio! I-N-A-C-R-E-D-I-T-Á-V-E-L. A questão não é preferir a minha aula ou de outra pessoa, a questão é que a prioridade das profissionais muitas vezes não é a dança, é o ‘bom relacionamento’.
Solução utópica!
Para que esses problemas sejam resolvidos, precisamos mesmo é de uma reformulação geral. Por isso a utopia, já que precisaríamos do esforço conjunto dos expoentes do meio para mudarem a realidade, o que é praticamente impossível. Os expoentes agem exatamente como o governo: Querem mais é que os bailarinos sejam mediocres e mal informados para que continuem dando dinheiro fácil pra eles, não questionem e não atrapalhem os planos. Afinal se os bailarinos começarem a pensar e dicutir, eles vão ter que começar a trabalhar direito e isso é muito desgastante!
Não podemos nos contentar com pouco, temos que elevar em todos os sentidos nossos padrões de exigência. Só assim vamos ter o direito de reclamar quando aparecer algo ruim. Elevar os padrões vai desencorajar as pessoas despreparadas a se posicionarem como profissionais e teremos uma Dança do Ventre cada vez mais bem representada.
Amadoras
Por isso as amadoras arrasam sempre. Estão lá ralando diariamente pra crescerem como bailarinas. Podem até ter a pretensão da profissionalização, mas estão mais preocupadas em aprender do que em ser. Tenho dois exemplos pra citar que acompanhei de perto, a Hadara Nur e a Isabella Marchioro. Fui professora da Hadara, logo que ela começou a dançar e a sua dança sempre foi muito boa. Metade era talento, metade era garra. Eu me lembro muito bem que quando ela se inscreveu para o MP de dois mil e alguma coisa, rs, na categoria amadora, ela treinou muuuuito. Chegava na escola antes de mim e eu mesma não aguentava mais ouvir aquela música.
Ganhou o primeiro lugar, disparado e merecido, dançou melhor que a maioria das profissionais, por que lutou... muito. Não sei como continua a rotina de treinos da Hadara, mas na época que eu acompanhei, eram diários. A mesma coisa aconteceu com a Isabella em 2006. Ganhou o primeiro lugar com muito mérito e deixou algumas profissionais no chinelo. Por que ralooooou também, não só pro concurso, mas sempre... As duas têm em comum talento, disciplina e treino, com ou sem um concurso em vista. Enquanto as amadoras estão nervosas e preocupadas ensaiando nos bastidores antes de entrar pra concorrer, as profissionais estão se alfinetando e falando mal de tudo e todos... Profissional não é apenas dança, é postura, comportamento e intelecto... Mas eu tenho fé, tenho meeeesmo, que mudaremos esse quadro! 
| | Tava trabalhando, mas foi bem divertido... |
É muito poder!!! Ela é indiscritível... Import.flv (20.0 MB)
Ela é uma fofa! Dança muito também!
Adoro a delicadeza dela e as emendas! Import.flv (10.1 MB)
Essa mulher mata a pau!!!! Import.flv (21.8 MB)
brazilian bellydancer in dubai 2008 Import.flv (13.3 MB)
Apresentação no Dança Pará-2007. Import.flv (9.5 MB)
| | Maio 2008 |
 | AZIZA | May 9, '08 12:21 PM
for everyone |
Ela é simplesmente divina!
Import.flv (19.8 MB)
Sem palavras... Ela é tuuudo de bom! Import.flv (24.2 MB)
É muito legal! O começo é a melhor parte, na minha opinião. Import.flv (9.4 MB)
El fan Import.flv (5.0 MB)
| | Março de 2008 |
Minha twing... Maravilhosa!! Import.flv (8.6 MB)
As "Twings" Import.flv (12.9 MB)
Pandeiro Import.flv (9.3 MB)
Solo Issam Import.flv (9.2 MB)
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Obrigada gente! Vcs são maravilhosos...
Beijões a todos! |
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eu percebi q vc não me queria como amiga !!!hehehehehe
para né !! eu amei o casamento !!! segurei um monte prá não borrar a maquiagem
fora q conheci um gatinho muito querido !!hehehehe
foi tudo lindo!!!
vou passar datas pra agosto pro samir dai a gente se fala
bjão !!!!!
te adoro!!!!!!!!!!!!!!!! |
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obrigada por me adicionar...bjksssssssss |
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rsrsrs, sem problemas! sou sua fã querida! :))) qquer coisa estamos ai! parabéns! bjao |
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Oi, brigadinha por me add.
beijos |
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Olá Ardah, obrigado por me aceitar no teu mundo...
Assalam aleikoum!
Beijo
JP |
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Oi Ardah, tudo bem????
Estou te add tá.
Parabéns pelo trabalho e pelas fotos...
Sucesso e muita Luz pra vc.
Fica com Papai do céu.
Beijinhos...
*.*.*.*.*.*.*.*.**. Bianca Lunay star |
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OLÁ....TENHA UM ÓTIMO FINAL DE SEMANA....BJOS....LU & LU.... |
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OIEEEE..ESTAMOS FAZENDO NOVOS AMIGOS...PODERIA NOS ADD....DA UMA PASSADINHA EM NOSSA PAGINA....BJOS...LU & LU |
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oieeee. tirei o dia pra visitar meus amigos no multi e deixar um beijo.
saudades |
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WHEN LOVE DIES
By
Amir Sahameddin Ghiassi
The young girl, about seventeen years old, steps firmly to the death place; Mona Mahmundizhad, one of my best students, was persecuted in Iran (Persia), because she was Bahá'í.
The Bahá'í religion is a world religion which began in Persia . Bahá'ís believe in the oneness of God, the oneness of religion, and the unity of mankind. Bahá'ís strive to eliminate all prejudices of race, nationality, and religion. And Bahá'ís respect that all religions have come from the same God, in different times, to guide mankind.
The revolutionary Islamic court in Shiraz, Iran persecuted Mona, and now they wanted to perform her execution.
Mona was walking very firmly towards the place of execution without any doubt or fear. She was singing Bahá'í songs and was walking like an angel towards her place of death. The people who were looking at this heroine were all crying and their faces were wet with tears. The eyes of her Moslem friends were shining from the tears and their faces were red; Mona was the only one not crying, and she was not sorry about what would happen to her in a few minutes. The reflection of God was in her face and she was sure that what she was doing was right and correct.
The Moslem people around her were singing Moslem songs, quietly. Some of them were singing in a very low voice while crying about this cruel situation and what would happen in a few minutes. The Bahá'ís who were there were singing the Bahá'í songs, "Sobuhon Ghoduson Rebeana Ve Reben Malaekaten Ve Ruh" The Moslems were singing "Alah o akbar" and the Baha'I were singing "Alláh-u-Abhá, Alláh-u-Abhá".
My friend Djalal, who was there as Mona's teacher, told me the following story in the hopes that the message of Mona would reach the people:
"I could not believe that what I was seeing was real. She, the young girl, was so in love with God that she was ready to be killed for Him and His glory. For her faith. And I, her poor teacher, must be there - without any power to save her. I have to watch the execution of one of my best students; I am a helpless person and can see the injustice to this young girl who has no crime in her life. The only crime that the so-called Islamic court could prove was that she was Bahá'í. A young, nice, intelligent, lovely, friendly and pure girl, who should be walking to the university to study and should have her whole life and future in front of her, was going to be executed because she was Bahá'í. And, who had signed her document but a Moslem who must be the follower of Imam Hossein, who was killed by Jazid in Karbella with all his family; his wife, children and even a little baby. The Jazid had cut off the water from them; so in the hot summer day of Kerbella, these holy people had no water to drink and must fight with these cruel people. He had been killed and for three days his body, and the bodies of his family, were left under the hot burning sun of the Kerbella Dessert. We had always cried for his death and the cruel situation in Kerbella, and now one of his followers had signed the death document for Mona.
"Her friends and classmates were there and were crying very bitterly; but Mona was firm and was singing with love and joy.
"The revolution of Iran , which should have been a religious revolution and should have lead the people to God's way, was now eating the innocent people and children. Which dirty hand in the revolution would like to paint a black page for Islamic history? I was Moslem, my father was Moslem, and he loved all the people around him. He always said to me, 'Djalal, you must respect all other people and their religion, and even if they have a false religion, you must respect them so they will respect our prophet. If you say bad words about their false prophet or god, they will do the same thing to our real and pure God." Now I was seeing the Moslems killing young, innocent children; my students, who were like my children. I could imagine that one day they might kill my little girl and that she must walk to her death place.
"Mona was a very good and friendly student of mine. She always helped the other students and laughed in a friendly way with them. She liked the younger students and helped them with their homework. Her parents were very proud of her. She was also, as I had heard, a teacher for the Bahá'í Friday school for younger students, which was another crime the Islamic court could prove.
"Her parents were very proud of her. I, as her teacher, was there to watch her die. Helpless and poor, I could not change this injustice and had to accept this way of cruelty. I wish that I had the power to do something more for my beloved student than just stand there and cry. I did know that any wrong movement would mean my death also, and I did not think my death would help my student.
"In Persia , the teacher is like a father or mother, and they love the students like their own children - so for me it was like I was watching my own child being killed by the Islamic court. My mother, who was a Moslem believer, said to me that she would pray for my student who was to be killed by an unjust court.
"Why should people be so cruel to each other and why should they kill each other just because they have other thoughts or religions, which had been given to them by their parents anyway? She was like my daughter and was very polite and friendly to me. I was very sorry to see all this happening to her and sometimes I could not believe that what I was seeing was real. My eyes were full of hot tears, burning my skin as they ran down my face. My feet were shivering as I saw that Mona was close to her death place. She behaved like a hero without any doubt, sorrow or fear. She was looking firmly in front of her and her dark eyes were shining with the love of God. The people who persecuted her could not see this love and purity. They were blind and could not see the light of God. I did not know why the love for God that Mona was demonstrating now would not move the people that had signed her execution. Were their hearts made of stone or did their business, money and power blind them? Why could not the people see the light and glory of God, which was reflected by Mona?
"Mona walked to her execution place, took the execution rope, kissed it and put it around her neck. The voice of the Moslems who were singing Moslem songs now changed to the Bahá'í song which Mona was singing. Now all the Moslems and Bahá'ís were singing the same song. They were united in song, the Bahá'í song which Mona was singing. All were full of sorrow and sadness. She died at 17 years of age, but her spirit and how she died, I will never forget. I hoped that the other people that saw this would never forget. Any human being should be ashamed to kill innocent people for their beliefs or for the beliefs of their parents.
"Many other Persian girls and boys have been killed by the Islamic Revolution Court and their only crime was that they were Bahá'í. What could they do; as their parents were Bahá'í so they were Bahá'í also. Some of them were my students. Why should I teach them to be killed by the Islamic court? My work was a useless work. I became very depressed and could not teach anymore."
Djalal, my friend who was telling this story, looked in my eyes. His eyes were red because he cried so much for his students who were killed. I could feel the warm tears on my face as well. He said, " What can we do? Only cry for this cruelty?" Should we just sit and look at what the cruel people do as they misuse religion and humanity to kill in the name of God the innocent boys and girls, our students? I thought God gave us a heart full of His love so that we could love and understand each other and each other's children. But these cruel people do not use even their simple understanding for the other people and in the name of God they kill children of God. And they claim that they believe in God. Djalal could not teach in the schools of Iran anymore and he was so sad that I was worried he would soon loose his mind. He said, "How can I be in the class and see the children whom I should teach? The faces of other students who were killed are in front of me and I see in each of the other students, the face of Mona. I cannot teach anymore and see the innocent children who could also be killed by the Islamic Court".
Djalal left me that day. I was always looking for him and I went many times to his house to visit him. The last time that I saw him he was very depressed and his hair had turned white during those years. When I rang his bell, his daughter opened the door. I saw her face, an Iranian girl with the same eyes and face as Mona. I saw in her face the face of Mona. The girl invited me into the house and to her father's room. Djalal was reading a book. He saw me and stood up to shake my hand. " You see, Amir, my girl. I saw always the face of Mona in her face. Maybe the same situation will happen to my daughter one day and they will kill her as they killed Mona."
Djalal; we should work for a goal as Mona worked for a goal. We should work so that our children will have a nice free country, and we should work against this cruelty. I know that maybe they will kill us too, but we must not give up and must try. Freedom has its cost and Mona paid that cost for us. Look at history; many people have been killed because they wanted justice, but they did not give up, they followed their ways without fear or doubt. I know that many young people have been killed, but one day our children will enjoy this freedom. Mona did her part, and we must do our part too.
I think, Djalal, you have been right. And I know that it is very hard for you to see all these cruel things. But we should give the message of Mona to the whole world because they have to know what has happened. The Iranian organizations, which call themselves organizations for humanity and human rights, should understand what they have done to the young and innocence in the Name of God. I hope that one day the message of Mona will reach the people who have God in their hearts and are willing to listen to the words of God. The people who can open their hearts to God, and who are pure, will listen.
I am not a Baha'i ,but I borrowed money to one of my best Moslem friend and in respons of my help he wrote to the government of Iran that I am a Baha'i so I have been persecuted as a Baha'i and my jobs and other belonging have been taken from me. My sister who was married to a Baha'i told me come t here and you will have jobs and everything. She has told me this for many years and I have sent her money to buy for me houses in the USA . Her husband who is a Baha'i wrote to me , too.. COme here and everything will be OK. He thought I cannot come here and Iranina government will kill me as a Baha'i , he hoped. Or I cannot come to the USA . As I was here he told me per telephone "do not come to us if you come I will call the police" So you can see the Moslem friends, Baha'i family and government were not nice to me. Please help me in this regard that at least the other people should not make the same mistake that I did. Yours Amir
John Chartrand wrote:
Hi, Sahameddin,
That is a great ad. You should get a good response from that. How are things going? I am still in Cairo and I don't know how long I plan to be here.
John Chartrand
Sahameddin Ghiassi wrote:
American Language, Music, Dancing and Boarding School
Amir Sahameddin Ghiassi. That is my ad for the school.
Home
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Story-Amir
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Story-Amir
407-282-6180
Click to Enlarge.
407-281-9704
Click to Enlarge.
I S American Language,Music,Dancing and Boarding School
Email: Sghiassi_fhc@hotmail.com
Alan, Amir Ghiassi Cell: 407-281-9704
_______________________________________________________
10420 Lehman Road, Orlando FL 32825
From 434 Turn right to Colonial. After passing 2 lights, turn left onto Murdock. Next, turn right onto the second street on your right, Flowers St. The second street on your left is called Culver, turn left. At the end of Culver, turn left onto Lehman. It will be the first house on your right.
More Info Here
13305 Lacebark Pine Road, Orlando FL 32832
From Heffner or Narcossee turn onto Moss Park Ave. Drive 4 Miles. Before you reach Moss Park turn left onto Lake Mary Jane Road. Drive 2 miles. Next, turn left onto Capri. At the end of Capri turn right onto Lacebark Pine Road. It is the first house on your left side.
More Info Here
_______________________________________________________
International Boarding.Music,Dancing and Language School
Iranian South American Language and Boarding School, Inc.
Learn English, German, Persian, Arabic, Turkish, Spanish, Portuguese and
live with friends and other students.
Rooms for rent
7 minutes drive to UCF. Rooms are fully furnished, Cable
TV and computer DSL. Table tennis, volley ball court, basketball court,
swimming pool, pond for fishing and canoeing. Rooms are $ 450 per month
for rooms and $650 for apartments. Utilities included. Call Alan, Amir
407 2826180, 407 277 4609, 407 2819704, or 407 977 7974 or email
Sghiassi_fhc@ hotmail.com or Sahameddinghiassi@ yahoo.com
Price Range From: $450 - $850
Advantages
Teaching Persian, English, Turkish, Arabic, German and other subjects!
10 minutes drive to UCF!
Sports
Rooms come fully furnished with Cable TV and Computer DSL. Access to: Pool, Basketball courts, Volleyball courts, pond for Fishing and Canoeing.
Sunshine State
States Approval License.
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super gata
recebi o beijo de vcs da mineira Zelia q foi te ver dançar ai em Joinville
ela faz tratamento no mesmo hospital da minha vozinha.
beijo e ate depois de amanha. eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee |
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saudadessssssssssssssssssssssss |
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Olá!
Passei no multiply da tua irmã e não podia deixar de vir aqui dar os parabéns pela pré-seleção e desejar boa sorte e sucesso na banca!
Vi as mensagens da Camilla pra vcs, vi seus vídeos e vcs são divinas!
Beijo no coração. |
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simmmmmmmmmm
leva faixa e tudo hein?
ahahah
beijos |
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hay???hallloo?nice to visit your site??? |
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oi amor
saudadesssss
obrigada pelas felicitações.
beijocasssssssssssss |
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